AmateurRadio.com

Why would an amateur radio operator be interested in space weather?  Is it worth the time and resources to forecast propagation, in the daily operation of a typical ham radio station?

Gary, host of the popular ‘Ham Radio Now’ video podcast, talks with Tomas Hood (NW7US), propagation and space weather columnist for CQ Amateur Radio Magazine (and in the late ‘Popular Communications Magazine’ as well as ‘CQ VHF Quarterly Magazine’) and The Spectrum Monitor Magazine. Gary discusses with Tomas how scientists forecast space weather, and how the average ham radio operator can also make predictions, and what propagation forecasting can bring to the daily operations of an amateur radio enthusiast.

Watch on YouTube: ‘Ham Radio Now’ Episode 156: Propagation…

Tomas, NW7US, talks about radio propagation on shortwave (HF) as well as space weather.

As the propagation columnist for several amateur radio magazines, I hear from a diverse group of interested people that find space weather and the propagation of radio waves fascinating. I admit: I am a space weather and radio propagation nut, and it is always good to correspond or meet with other interested folks. This is an aspect of our hobby that never grows old, as there is so much that we don’t yet know–we communicators are in a perfect space to make discovery and to make improvements to our understanding of this science.  Over the years, I’ve heard a lot from readers of my columns, expressing their fascination with the science of radio and solar phenomenon.

Are you interested in learning about the Sun and the Sun-Earth connection (space weather), including topics of sunspots, solar flares, coronal mass ejections, and so on?  Do you want to delve deeper into topics including the ionosphere, the magnetosphere, and how radio waves propagate from transmitter to receiver?

The critical frequency (foF2) for mornings during June 2014.

You might consider a time-proven “course”–material that is very comprehensive–that you can self-study, to become well-versed in this information. The course (one that has been used in professional disciplines) is offered either stand-alone, or bundled with the ray-tracing PropLab PRO software. 

Some may say, “But, I like the magic of just getting on the air and trying my luck! If I learn all this stuff, then it becomes science, and not a hobby.” It is true that there’s a joy at being dazzled with the magic of radio; buy a super cool transceiver, and a factory-made antenna with coax already fitted with connectors, adding the necessary accessories to make it come alive, then begin exploring the shortwave frequencies. Magical, indeed! But, there are many in the hobby that wish to learn how all of that works. Some even begin learning how to build antennas, radio kits, and discover the joy of the “science” of radio. A few eventually take the step with gained “scientific” knowledge of electronics, and they design and build equipment for their hobby. The course is part of that mix: learning how the Sun affects getting a radio signal from point A to point B, and how to leverage their time and efforts, is a joy, indeed.

Interested?  Here’s the web page: http://hfradio.org/swp_course/

PropLab PRO creates ray-traced radio wave analysis

If any disclosure is necessary, here you go: The proceeds from a purchase of this course go to the funds I use to keep cw.HFRadio.org, swl.HFRadio.org, and other resources at HFRadio.org, plus http://SunSpotWatch.com up and running. There are monthly fees, yearly fees, and software licensing to cover, as well as the purchase of hardware from time to time. These operating and maintenance funds are mostly covered by me, Tomas, NW7US, out of my personal funds. Any donations and sales helps out. Haters and Hecklers can send their comments to the bit bucket.

73 de NW7US

Are you looking for some aids on learning Morse code, or to increase speed and skill? Let’s look at some great information and some software aimed at making your efforts successful.

(Note: I am not associated with any of the software. I just want to help you…)

I encourage you to look at the time-proven Koch method of learning Morse code. Below, we’ll look a little closer at this method of learning and honing your Morse code skill.  In the meantime, if you just wish to skip the details, here are some software links for learning tools using the Koch method:

+ For the PC, I prefer the G4FON Morse code ‘Koch Trainer‘. It is a slick program that is set up to help you learn and enhance your skills with Morse code:  http://nw7us.us/g4fontrainer – and his web site is at: http://www.g4fon.net/

G4FON Koch Trainer – Morse code learning on the PC

+ For the iPad and iPhone: On these devices, I use the ‘Koch Trainer’ by Nick / N3WG, found in the store here: https://itunes.apple.com/us/app/koch-trainer/id405137883?mt=8

+ For the Android: I use the same software as for the iPad and iPhone, the ‘Koch Trainer’ by Nick / N3WG, here: https://play.google.com/store/apps/details?id=com.n3wg.kochtrainer – however, note that it is not compatible on the S4.

+ Some other Android possibilities that I have not tried:

• https://play.google.com/store/apps/details?id=net.iz2uuf.cwkoch
• https://play.google.com/store/apps/details?id=uk.co.bitninja.kmtpro

Again, I have not tried those last few.

Now, let’s talk about the Koch Method of Morse code training!

From my page on the Koch method (text was used by permission from the author):

Koch’s method is a simple, direct way of building reflexes. However, it requires either a computer and Morse software or a personal trainer. That’s why it was overlooked for so many years. Now that computers are commonplace, it should become the standard Morse training method. Here’s how it works:

You start out by setting up your computer (or a microprocessor-based code tutor machine) to send you Morse characters at 20 wpm and at an overall sending speed of at least 15 wpm. You then get out your paper and pencil and have the machine start sending — but only two characters. That’s right, for your first sessions, you’ll only have two choices. Copy on paper for five minutes, then stop the machine and compare what you copied with what the machine sent. Count characters and calculate your percentage of correct copy.

If your score is 90 percent or better — congratulations! You just learned your first two characters, and, importantly, you learned them at full speed. You’ll never have to learn them over again. If you didn’t make 90 percent, practice some more. As soon as you can copy the first two characters with 90 percent accuracy, add a third character to your practice. Your accuracy will drop as you work on assimilating the new character, but it will rise again to 90 percent or better. Then you add the fourth character, and so on.

This method does not allow you to build that lookup table in your brain. To copy at full speed, you must build the reflexes in order to achieve 90 percent accuracy. And that’s what you’re spending your time doing — building reflexes. Think of it as a parallel to perfecting a tennis swing or mastering a gymnastic routine; you’re practicing until you get it right. The Koch method of building code proficiency character-by-character is similar to standard methods of teaching touch typing, another skill that must be reflexive.

…

While the Koch method is the fastest method of Morse training, speed alone is not its principal advantage. Its principal advantage, and a major difference from other methods, is that it provides you with constant positive reinforcement. This begins with your realization, after mastering the first two characters, that you can copy code at 15 or 20 wpm, because you just did it. After that, each new character mastered is further proof of your progress. Contrast that to slowly trying to build speed up from 4 or 5 wpm, then hitting the plateau at 10 wpm and seeing no progress for a long time. With the Koch method, frustration is at a minimum.

Constant testing is necessary to ensure that you maximize the effectiveness of the Koch method. You must copy on paper, so you can grade yourself. Remember, if you score 90 percent accuracy or better, add another character. If you score any less than that, try again. By constantly testing yourself on continuous copying of at least five minutes, you know exactly how you’re doing and exactly when you should add another character. This results in the fastest progress possible.

…

As you proceed toward your goal, remember that some days are just going to be better than others and some characters will take longer to assimilate than others.

(Read the entire article: the Koch method).

Again, here’s the PC software link: http://nw7us.us/g4fontrainer

And, here’s a web-based way to learn Morse code.

Good luck! If you have questions, please share them – I’m @NW7US

Recently, a number of hobby radio magazines have either retired, or have merged into a digital mix of several. Filling that void is the new The Spectrum Monitor, a creation of Ken Reitz KS4ZR, managing editor for Monitoring Times since 2012, features editor since 2009, columnist and feature writer for the MT magazine since 1988. Ken offers this digital, radio communications magazine monthly.  The web site is at http://www.thespectrummonitor.com/

The Spectrum Monitor magazine – get your’s, today.

Ken, a former feature writer and columnist for Satellite Times, Satellite Entertainment Guide, Satellite Orbit magazine, Dish Entertainment Guide and Direct Guide, is also contributing editor on personal electronics for Consumers Digest (2007 to present). He is the author of the Kindle e-books “How to Listen to the World” and “Profiles in Amateur Radio.”

The Spectrum Monitor Writers’ Group consists of former columnists, editors and writers for Monitoring Times, a monthly print and electronic magazine which ceases publication with the December, 2013 issue. Below, in alphabetical order, are the columnists, their amateur radio call signs, the name of their column in The Spectrum Monitor,  a brief bio and their websites:

Keith Baker KB1SF/VA3KSF, “Amateur Radio Satellites”

Past president and currently treasurer of the Radio Amateur Satellite Corporation (AMSAT). Freelance writer and photographer on amateur space telecommunications since 1993. Columnist and feature writer for Monitoring Times, The Canadian Amateur and the AMSAT Journal. Web site: www.kb1sf.com

Kevin O’Hern Carey WB2QMY, “The Longwave Zone”

Reporting on radio’s lower extremes, where wavelengths can be measured in miles, and extending up to the start of the AM broadcast band. Since 1991, editor of “Below 500 kHz” column forMonitoring Times. Author of Listening to Longwave (http://www.universal-radio.com/catalog/books/0024u.html). This link also includes information for ordering his CD, VLF RADIO!, a narrated tour of the longwave band from 0 to 530 kHz, with actual recordings of LW stations.

Mike Chace-Ortiz AB1TZ/G6DHU “Digital HF: Intercept and Analyze”

Author of the Monitoring Times “Digital Digest” column since 1997, which follows the habits of embassies, aid organizations, intelligence and military HF users, the digital data systems they use, and how to decode, breakdown and identify their traffic. Web site: www.chace-ortiz.org/umc

Marc Ellis N9EWJ, “Adventures in Radio Restoration”

Authored a regular monthly column about radio restoration and history since 1986. Originally writing for Gernsback Publications (Hands-On Electronics, Popular Electronics, Electronics Now), he moved his column to Monitoring Times in January 2000. Editor of two publications for the Antique Wireless Association (www.antiquewireless.org): The AWA Journal and the AWA Gateway. The latter is a free on-line magazine targeted at newcomers to the radio collecting and restoration hobbies.

Dan Farber ACØLW, “Antenna Connections”

Monitoring Times antenna columnist 2009-2013. Building ham and SWL antennas for over 40 years.

Tomas Hood NW7US, “Understanding Propagation”

Tomas first discovered radio propagation in the early 1970s as a shortwave listener and, as a member of the Army Signal Corps in 1985, honed his skills in communications, operating and training fellow soldiers. An amateur Extra Class operator, licensed since 1990, you’ll find Tomas on CW (see http://cw.hfradio.org ), digital, and voice modes on any of the HF bands. He is a contributing editor for CQ Amateur Radio (and the late Popular Communications, and CQ VHF magazines), and a contributor to an ARRL publication on QRP communications. He also wrote for Monitoring Times and runs the Space Weather and Radio Propagation Center at http://SunSpotWatch.com.  Web site: http://nw7us.us/  Twitter: @NW7US  YouTube: https://YouTube.com/NW7US

Kirk Kleinschmidt NTØZ, “Amateur Radio Insight”

Amateur radio operator since 1977 at age 15. Author of Stealth Amateur Radio. Former editor,ARRL Handbook, former QST magazine assistant managing editor, columnist and feature writer for several radio-related magazines, technical editor for Ham Radio for Dummies, wrote “On the Ham Bands” column and numerous feature articles for Monitoring Times since 2009. Web site: www.stealthamateur.com.

Cory Koral K2WV, “Aeronautical Monitoring”

Lifelong air-band monitor, a private pilot since 1968 and a commercial pilot licensee since 1983, amateur radio licensee for more than 40 years. Air-band feature writer for Monitoring Times since 2010.

Stan Nelson KB5VL, “Amateur Radio Astronomy”

Amateur radio operator since 1960. Retired after 40-plus years involved in mobile communications/electronics/computers/automation. Active in radio astronomy for over twenty years, specializing in meteor monitoring. Wrote the “Amateur Radio Astronomy” column for Monitoring Timessince 2010. A member of the Society of Amateur Radio Astronomers (SARA). Web site: www.RoswellMeteor.com.

Chris Parris, “Federal Wavelengths”

Broadcast television engineer, avid scanner and shortwave listener, freelance writer on federal radio communications since 2004, wrote the “Fed Files” column for Monitoring Times.http://thefedfiles.com  http://mt-fedfiles.blogspot.com Twitter: @TheFedFiles

Doug Smith W9WI, “The Broadcast Tower”

Broadcast television engineer, casual cyclist and long distance reception enthusiast. “Broadcast Bandscan” columnist for Monitoring Times since 1991. Blog:http://americanbandscan.blogspot.com Web site: http://w9wi.com

Hugh Stegman NV6H, “Utility Planet”

Longtime DXer and writer on non-broadcast shortwave utility radio. Former “Utility World” columnist for Monitoring Times magazine for more than ten years. Web site: www.ominous-valve.com/uteworld.html Blog: http://mt-utility.blogspot.com/ Twitter: @UtilityPlanet YouTube: www.youtube.com/user/UtilityWorld

Dan Veeneman, “Scanning America”

Software developer and satellite communications engineer writing about scanners and public service radio reception for Monitoring Times for 17 years. Web site: www.signalharbor.com

Ron Walsh VE3GO, “Maritime Monitoring”

Retired career teacher, former president of the Canadian Amateur Radio Federation (now the Radio Amateurs of Canada), retired ship’s officer, licensed captain, “Boats” columnist and maritime feature writer for Monitoring Times for eight years. Avid photographer of ships and race cars.

Fred Waterer, “The Shortwave Listener”

Former “Programming Spotlight” columnist for Monitoring Times. Radio addict since 1969, freelance columnist since 1986. Fascinated by radio programming and history.  Website: http://www.doghousecharlie.com/

Thomas Witherspoon K4SWL, “World of Shortwave Listening”

Founder and director of the charity Ears To Our World (http://earstoourworld.org), curator of the Shortwave Radio Archive http://shortwavearchive.com and actively blogs about short­wave radio on the SWLing Post (http://swling.com/blog). Former feature writer for Monitoring Times.

Solar Flare Alert:

Active Sunspot Region 11944 has a 75% chance of producing an M-class flare, and a 30% chance of producing an X-class flare, in the next 24 hours. Smaller flares are also possible.

We are expecting a glancing blow from a Coronal Mass Ejection (CME) sometime in the next 24 hours.

The Earth’s polar regions are under a proton event (Polar Cap Absorption, or PCA, event). This is degrading HF communications over polar regions.

(Live data and more info at https://Facebook.com/spacewx.hfradio or http://SunSpotWatch.com/ )

While many are talking about how Solar Cycle 24 is the weakest since the Maunder Minimum (the period starting in about 1645 and continuing to about 1715 when sunspots became exceedingly rare, as noted by solar observers of the time — see this Wiki entry), there are moments when activity on the Sun strongly increases, providing brief moments of excitement.

Here is a case in point, witnessed by the Solar Dynamics Observatory (SDO; see SDO Mission) on June 7, 2011, when the Sun unleashed a magnitude M2 (a medium-sized) solar flare with a spectacular coronal mass ejection (CME). The large cloud of particles mushroomed up and fell back down looking as if it covered an area almost half the solar surface.

SDO observed the flare’s peak at 1:41 AM ET. SDO recorded these images in extreme ultraviolet light that show a very large eruption of cool gas. It is somewhat unique because at many places in the eruption there seems to be even cooler material — at temperatures less than 80,000 K.

This video uses the full-resolution 4096 x 4096 pixel images at a one minute time cadence to provide the highest quality, finest detail version possible.  The color is artificial, as the actual images are capturing Extreme Ultraviolet light.

It is interesting to compare the event in different wavelengths because they each see different temperatures of plasma.

Credit: NASA SDO / Goddard Space Flight Center

Video: http://g.nw7us.us/1aOjmgA – Massive Solar Eruption Close-up (2011-06-07 – NASA SDO)

Visit: SunSpotWatch.com

“Radio Hams” do more than play with their machines. They are also invaluable in relaying vital information during times of tragedy and disaster.

Here is a mildly entertaining look at radio hams, those amateurs sending and receiving coded messages during the late thirties when films first dealt with the subject of “radio hams.” In this case, the ham operators manage to be helpful during situations of stress, using their abilities with code to help someone in distress and to seek aid for pilots flying a missing plane.

The humorous ending has the family gathered around the radio listening to someone speaking Chinese while the narrator tells us how impressed the family was to be hearing someone across the world on their radio set.

http://www.youtube.com/watch?v=bZi7LiPNMt8

This little vintage film, a rather more serious film than many of Pete Smith’s other presentations, takes a look at how ham radios can become priceless aids during emergencies. The two stories shown, one dealing with sickness, the other with a missing plane, are bookended by a humorous look at a typical three-generation family’s fascination with their ham radio.

Of course, amateur radio, or “ham radio”, is alive and doing very well, in our modern times. Using satellites, moon-bounce communications, repeater networks, as well as shortwave, mediumwave, and longwave telecommunications technology, amateur radio continues to provide emergency services in times of need, from hurricanes, tornadoes, earthquakes, and even during such times as the infamous 9/11 atrocity. But, amateur radio also breeds invention and experimentation, always at the cutting edge of science. It is a hobby worth investigating, having room for a wide-range of interests. Preppers, science lovers, experimenters, and those with a passion to meet people from all over the world by way of radio waves, all together make up the radio hobby of amateur radio.

Clayton Moore, later famous as the Lone Ranger, appears uncredited as a ship radio operator.

Directed by Felix E. Feist

Writing Credits Buddy Adler (screenplay) (as E. Maurice Adler)

Cast (in alphabetical order)

Barbara Bedford – Mrs. Crane (uncredited)
Eleanor Counts – Miss Mulligan, Jimmy’s Sister (uncredited)
Jack Daley – Pa Mulligan (uncredited)
Robert Homans – Lighthouse Keeper (uncredited)
Clayton Moore – Ship Radio Operator (uncredited)
Alonzo Price – Clyde DeVinna (uncredited)
Jason Robards Sr. – Pilot in Distress (uncredited)
Pete Smith – Narrator (voice) (uncredited)
Harry Strang – Man in Montage (uncredited)
Phillip Terry – Co-Pilot (uncredited)
Dorothy Vaughan – Ma Mulligan (uncredited)

Produced by Pete Smith – producer (uncredited)
Music by David Snell (uncredited)
Cinematography by Robert Pittack
Film Editing by Philip W. Anderson (as Philip Anderson)
Music Department Jack Virgil – orchestrator (uncredited)
Other crew Douglas Smith – technical advisor

According to https://archive.org/details/wwIIarchive this film is in the Public Domain.
Creative Commons copyright.